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King Arthur The Red

By: Guided By Voices Appears on: The Bears For Lunch “King Arthur The Red” is an outstanding opening track, full of energy and bottom-heavy guitar tone (not to mention fantastic vocal harmonies). To help achieve this dense, low sound, we’ll use inverted guitar chords. You need to be logged in to view the rest of […]

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I’m A Strong Lion

By: Robert Pollard Appears on: From A Compound Eye Todd Tobias added a lot of fantastic keyboard embellishments to some of Robert Pollard’s songs on From A Compound Eye. While the songs sound great for his additions, it can sometimes make the guitar parts a little tough to distinguish in the mix (in some cases, […]

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Rumbling Joker

By: Robert Pollard Appears on: Waved Out For “Rumbling Joker,” you’ll want to make sure you’re comfortable playing barre guitar chords, where you use your index finger to hold down multiple strings across the same fret. And if you have a spare guitar amplifier with built-in reverb laying around that you don’t care much about, […]

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Perfect This Time

By: Guided By Voices Appears on: Hold On Hope [single] “Perfect This Time” was written for inclusion on the Do The Collapse album, but may well have been one of the poppier tunes that was eschewed at the behest of producer Ric Ocasek in lieu of one of the album’s proggier numbers. So it was […]

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Love 1

By: Guided By Voices Appears on: Universal Truths And Cycles For several of the songs on Universal Truths And Cycles, including “Love 1,” Robert Pollard uses a chord shape that is very common in his arsenal of guitar tricks. It’s the basic “power chord” shape that we typically play on either the sixth and fifth […]

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Mr. Child

By: Guided By Voices Appears on: Styles We Paid For In this post, we’ll take a look at the guitar tablature and chords for “Mr. Child” from Styles We Paid For. Besides the killer opening riff, there are a lot of fun guitar parts throughout the song to keep things interesting. You need to be […]

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Roll Me To Heaven

By: Guided By Voices Appears on: Styles We Paid For There’s a lot to love about “Roll Me To Heaven,” at least from this guitar-player’s perspective. It features quite a few interesting chords, several distinct sections, and an ending that contains an unexpected chord change and arpeggio, in true Robert Pollard fashion. All these elements […]

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