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Run Son Run

By: Robert Pollard Appears on: Fiction Man “Run Son Run,” the opening track on Robert Pollard’s Fiction Man, has that wonderful gritty feeling that permeates so much of the production of this album. I think that’s what makes it a favorite of mine; there’s such a dirty sound to it that complements these songs so […]

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The Ballad Of Bad Whiskey featured

The Ballad Of Bad Whiskey

By: Boston Spaceships Appears on: Let It Beard “The Ballad Of Bad Whiskey” from the final Boston Spaceships album Let It Beard sounds like The Beatles’ “Sexy Sadie” stumbled across an old saloon and stayed for too long, getting boozed up and slurred. This, according to Boston Spaceships member Christopher Slurarenko, was exactly the intention. He […]

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You Satisfy Me featured

You Satisfy Me

By: Boston Spaceships Appears on: Brown Submarine If you’re a member of the GUIDED BY VOICES Facebook fan group, you may have heard of the synchronized listening sessions that someone organized. Basically, it’s a bunch of people listening to an album at the same time and commenting about it in real time to a Facebook […]

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Flight Advantage featured

Flight Advantage

By: Guided By Voices Appears on: Space Gun “Flight Advantage” from Space Gun comes charging like a wild stallion right out of the gate, and the energy doesn’t relent until its frantic race is finished. The song uses an open string drone, with the open D note on the fourth string ringing throughout each chord. You […]

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King Of Arthur Avenue featured

King Of Arthur Avenue

By: Robert Pollard Appears on: Not In My Airforce When it’s just Robert Pollard and an acoustic guitar, the beauty of his songwriting really shines through. Listen to some of the early Guided By Voices recordings, some of the material on the Suitcase box sets, or demo recordings such as those on Edison’s Demos. On these bare-bones […]

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Make Use featured

Make Use

By: Robert Pollard Appears on: Waved Out For “Make Use,” the opening track on his 1998 solo album, Waved Out, Robert Pollard crafts an entire song with basically just one chord shape. It’s a perfect example of how much can be accomplished with the “floating chord shape” guitar technique that he uses in many of his […]

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