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Pretty Bombs

By: Guided By Voices Appears on: Universal Truths And Cycles “Pretty Bombs” is my favorite kind of Robert Pollard song to play on guitar. It moves around a lot from one part to another, and incorporates both strummed chords and arpeggio figures. I used to consider this to be a song that I would probably […]

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Hiking Skin

By: Guided By Voices Appears on: August By Cake On “Hiking Skin,” Robert Pollard uses some simple chord shapes and the often-employed “floating chord shapes” guitar technique of moving an open D major chord shape to different frets on the neck. You need to be logged in to view the rest of the content. Please […]

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Universal Truths And Cycles

By: Guided By Voices Appears on: Universal Truths And Cycles The title track from Universal Truths And Cycles features a Robert Pollard guitar technique that I call “Barre Four.” This consists of barring (pressing down multiple strings at once across the same fret) across four consecutive strings. In some cases (as with “Downer” or “My […]

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Volcano

By: Guided By Voices Appears on: Surrender Your Poppy Field Guided By Voices guitarist Doug Gillard spices up the “quiet verse/loud chorus” dynamic of “Volcano” with a few cool guitar moves. During the verses, he plays a sparse open string drone figure, leading to explosive power chord choruses. You need to be logged in to […]

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Cul-de-Sac Kids

By: Guided By Voices Appears on: Surrender Your Poppy Field With all his years of songwriting experience, Robert Pollard shows us yet again that he still knows how to write a song that’s just plain fun. “Cul-de-Sac Kids” begins with gentle acoustic guitar strumming, bursts into power-chord poppiness, and ends with whistling over a string […]

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Always Gone

By: Guided By Voices Appears on: Surrender Your Poppy Field For Surrender Your Poppy Field, Guided By Voices really ran the gamut production-wise. There are songs with sleek, shiny production like its predecessor Sweating The Plague on one end of the spectrum. On the other end, we have a song like “Always Gone,” which sounds […]

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