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Cousin Jackie

By: Guided By Voices Appears on: La La Land “Cousin Jackie” is one of Robert Pollard’s great “collage style” musical compositions, made up of different sections with various tempos that don’t sound like they should be able to form a cohesive whole. And yet, time and time again, this formula continues to work for him. […]

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Run Wild

By: Guided By Voices Appears on: Isolation Drills “Run Wild” features several key Robert Pollard guitar techniques. The verses use an arpeggio guitar phrase as the main riff, along with an open string drone note figure. In the choruses, Pollard uses floating chord shapes, which involve moving an open position chord shape to a different […]

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Excited Ones

By: Guided By Voices Appears on: Crystal Nuns Cathedral “Excited Ones” is a pretty repetitive song; there are a few main guitar parts driving the song forward, but it’s mostly the same main riff/chord progression throughout. Doug Gillard included a lot of variations on these main parts to keep it interesting, so this transcription focuses […]

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Even Next

By: Guided By Voices Appears on: Warp And Woof So many of Robert Pollard’s songs include a sampling of guitar arpeggio here or there, but there are some occasions where the arpeggio style comprises nearly the entire song. In “Even Next,” the majority of the guitar work is arpeggio, with some light chord strumming right […]

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My Dog Surprise

By: Guided By Voices Appears on: Warp And Woof As the legend goes, Robert Pollard conjured the song title “My Dog Surprise” after mishearing a lyric in Cream’s “Sunshine Of Your Love” (“I’ll soon be with you, my love/give you my dawn surprise“). I can’t help but wonder, then, if this is the reason for […]

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Haircut Sphinx

By: Guided By Voices Appears on: Mirrored Aztec “Haircut Sphinx” is a pretty simple song to play on guitar, as there are no unconventional chord shapes; we just have power chords using the root-fifth-root octave shape. After the tablature for the main parts of the song, I’ve also included Doug Gillard’s lead fills, so you’ll […]

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